CCeH13 April
not to forget part#3 of that legendary evening: C. Stoffel "My 15 Min of Fame with Creative Commons" -
ReplyRetweetLike
DiXiT13 April
again with special thanks to the textual scholarly swordfighters from !
ReplyRetweetLike
CCeH13 April
again with special thanks to the textual scholarly swordfighters from !
ReplyRetweetLike
jhermes13 April
Was man nicht sieht: Das fand in einer prall gefüllten Kneipe über den Köpfen knieender Zuschauer statt.
ReplyRetweetLike
DiXiT13 April
swordfight as demo to 's pres: getting text and variants right can be a matter of life and death -
ReplyRetweetLike
CCeH13 April
swordfight as demo to 's pres: getting text and variants right can be a matter of life and death -
ReplyRetweetLike
CCeH13 April
convention highlight: the great club lecture 'Accidental Editors and the Crowd' by - watch it:
ReplyRetweetLike
DiXiT13 April
convention highlight: the great club lecture 'Accidental Editors and the Crowd' by - watch it:
ReplyRetweetLike
DiXiT7 April
ReplyRetweetLike
Rosanna Cantavella4 April
Blog: crònica de les jornades DiXiT a Colònia sobre edició digital
ReplyRetweetLike
Rosanna Cantavella23 March
Crònica de les jornades DiXiT d'edició digital celebrades a Colònia
ReplyRetweetLike
Dinara Gagarina22 March
ReplyRetweetLike
Dinara Gagarina22 March
ReplyRetweetLike
Stephan_Makowski21 March
Wie ich beim Posterslam zu ausgeführt habe, mittelalterliche Tierdarstellungen sind... "Interessant"
ReplyRetweetLike
Textual Scholarship21 March
Due 2 popular demand @ CFP 4 + = extended w.1 week! Final deadline expires Friday
ReplyRetweetLike
Anna-Maria Sichani19 March
Thanks to for such a successful &enjoyable ! CU all at +|CFP open until 20/3
ReplyRetweetLike
Patrick Sahle18 March
Just to keep the history straight: I have NOT coined the term DiXiTeers for the DiXiT-fellows but don't know who invented it
ReplyRetweetLike
Arianna Ciula18 March
Thanks for opportunity to talk @ Thanks esp to fellows for inspiration & to for flattering intro
ReplyRetweetLike
Tessa18 March
And that's it, it was fun & above all food for thought. Now going back into hibernation ;)
ReplyRetweetLike
Tessa18 March
"if the tent becomes too big, the roof comes down" (too quotable not to quote)
ReplyRetweetLike
Tessa18 March
"the artist makes the invisible visible" - implicit/explicit (just me)? Very nice ending keynote
ReplyRetweetLike
Tessa18 March
I rather liked the food in the coffee breaks (Merlê bakery if you're ever in Cologne)
ReplyRetweetLike
DiXiT18 March
If you missed , the CFP for in Oct in Antwerp together w/ is still open until 20 March!
ReplyRetweetLike
DiXiT18 March
We'll be putting material from the conference on our website in the next few weeks (videos, presentation slides)
ReplyRetweetLike
DiXiT18 March
Thanks to everyone for making a successful conference possible - presenters, participants, helpers, musicians, sword fighters
ReplyRetweetLike
Rosanna Cantavella18 March
I was sorry I couldn't stay but 2 days at . But with your tweets I've been able to follow today's interactions. Excellent convention!
ReplyRetweetLike
Wout Dillen18 March
Sorry I couldn't stay 4 the end of 's closing keynote. Looking forward 2 the slides! Especially 2C results of her survey.
ReplyRetweetLike
Wout Dillen18 March
On my way home after a very successful conference. Congratulations to the / team!
ReplyRetweetLike
Hugh Houghton18 March
Thank you and for an enjoyable and interesting conference!
ReplyRetweetLike
Merisa Martinez18 March
.'s talk reminds me of an exhibit I saw in Sweden on TEI transcription pages, to show materiality of our encoding
ReplyRetweetLike
Merisa Martinez18 March
. go thru fellows' answers to her survey about our work with dig modeling;interesting to see results of my peers!
ReplyRetweetLike
Øyvind Eide18 March
presenting results from fellows questionnaire with her contextualisation and understanding is very useful.
ReplyRetweetLike
Øyvind Eide18 March
ReplyRetweetLike
Patricia O Connor18 March
ReplyRetweetLike
Øyvind Eide18 March
Cultural Literacy in Europe:
ReplyRetweetLike
Elli Bleeker18 March
“We need a model of modelling” says in her closing keynote at . Strangely enough I am still following.
ReplyRetweetLike
Øyvind Eide18 March
ReplyRetweetLike
Daniel Powell18 March
. keynote about media as resistant putting me in mind of ’s Resistance in the Materials:
ReplyRetweetLike
Patricia O Connor18 March
giving a shout out to 's presentation on the digital as a commodity
ReplyRetweetLike
Øyvind Eide18 March
ReplyRetweetLike
Rosanna Cantavella18 March
That must also be said of digital scholarly editions. Relevant for Open Access and licensing debates.
ReplyRetweetLike
Daniel Powell18 March
ReplyRetweetLike
Dinara Gagarina18 March
Closing keynote by Arianna Ciula @ Universität zu Köln
ReplyRetweetLike
Dinara Gagarina18 March
ReplyRetweetLike
jhermes18 March
Closing keynote by : Modelling Textuality.
ReplyRetweetLike
Dinara Gagarina18 March
Vera Fasshauer at about annotated by TEI and databased letters
ReplyRetweetLike
Wout Dillen18 March
I've put the pdf of the flyer for + online. Have a look!
ReplyRetweetLike
Arianna Ciula18 March
I think there are both gains and losses in the process; if loss or failure is a win, then it's a win-win ;)
ReplyRetweetLike
Thomas Kollatz18 March
ReplyRetweetLike
Elli Bleeker18 March
. And those editors without a natural critical mind are forced to become more logical and consistent: win-win?
ReplyRetweetLike
Tessa18 March
& those who have a naturally critical mind will be able to make a case for their choices unlike those who apply no consistent logic
ReplyRetweetLike
Tessa18 March
ia w/ Charles Li that it's good when editors are forced to be more explicit in their reasoning bc often it's only implicit...
ReplyRetweetLike
Torsten Schaßan18 March
ReplyRetweetLike
Arianna Ciula18 March
Discussion on Charles Li's paper: what of the critical mind of the editor can/should be formalised and what not? trade-off
ReplyRetweetLike
ingo18 March
Heading home. Bye, bye CGN and it was a great conference. Thx 2 all the organizers!
ReplyRetweetLike
Arianna Ciula18 March
Charles Li on expressing principles of critical apparatus formally for Sanskrit texts
ReplyRetweetLike
Rosanna Cantavella17 March
Let it be light in Merisa Martínez's debate!
ReplyRetweetLike
jhermes17 March
Oh, jetzt St. 's Day performance.
ReplyRetweetLike
jhermes17 March
Text from "The book of blood" Grüner Würfel Drehkommando
ReplyRetweetLike
jhermes17 March
ReplyRetweetLike
Patrick Sahle17 March
Talking about Urtext, Stemmatology and Körperlichkeit @StereoWonderland
ReplyRetweetLike
jhermes17 March
ReplyRetweetLike
Patricia O Connor17 March
So we're celebrating in a red room with a stag's head and swords in close proximity... anyone?
ReplyRetweetLike
Patricia O Connor17 March
has enthralled here at Stereo Wonderland.
ReplyRetweetLike
jhermes17 March
goes Stereo Wonderland
ReplyRetweetLike
jhermes17 March
Den ganzen Tag verpasst, aber es gibt ja noch Clubprogramm gleich :)
ReplyRetweetLike
Patricia O Connor17 March
continuing the discussion on the copyright issues encountered in digital projects.
ReplyRetweetLike
Manuscript Genetics17 March
Cfp for + also allows abstracts for poster presentations!
ReplyRetweetLike
Frederike Neuber17 March
And here the poem to our poster, written and presented by (while I was cheering in the back)!
ReplyRetweetLike
Merisa Martinez17 March
A slide that didn't make it into my talk at . Diligent search be like:
ReplyRetweetLike
Wout Dillen17 March
Really interesting discussion about claiming copyright after an amazing talk on orphan works by at
ReplyRetweetLike
Arianna Ciula17 March
Comment to & talk @ : property not good concept anymore. I'd add we need ethics & integrity frameworks
ReplyRetweetLike
Tessa17 March
ReplyRetweetLike
Greta Franzini17 March
clearing rights of orphan works is onerous task, hence underuse of EU Orphan DB
ReplyRetweetLike
Patricia O Connor17 March
continuing the discussion on the copyright issues encountered in digital projects.
ReplyRetweetLike
Greta Franzini17 March
on Orphan works: 50,000,000 in the UK alone! woah.
ReplyRetweetLike
Arianna Ciula17 March
. lack of access + degraded material = no (strictly legal) digital research
ReplyRetweetLike
mishaoutloud17 March
Managed to not shout "Woot Woot!" When was introduced at . First time I've managed that!
ReplyRetweetLike
Elli Bleeker17 March
On a personal note, I'm very happy that included cat pics in his thought- (and discussion) provoking talk
ReplyRetweetLike
Thomas Kollatz17 March
Let the source be with you says Jedi Master … 
ReplyRetweetLike
Elli Bleeker17 March
The at the is a great (and creative!) example of fair use of citations
ReplyRetweetLike
Arianna Ciula17 March
. mentions the multilingual Lexicon of Scholarly Editing
ReplyRetweetLike
Tessa17 March
Loved this slide from (among others but this especially ;))
ReplyRetweetLike
Thomas Kollatz17 March
Lexicon of Scholarly Editing presented at by
ReplyRetweetLike
DiXiT17 March
Yesterday we spotted Marie Curie at the Kolumba museum. Surely a good sign? (H. Darboven: Quartett >88<)
ReplyRetweetLike
Elli Bleeker17 March
Little explored but very important topic: copyright, licenses and "fair use" in explains & illustrates at
ReplyRetweetLike
Patricia O Connor17 March
explaining the copyright law on the published works of
ReplyRetweetLike
Patricia O Connor17 March
tackling a problem shared by many digital scholarly editions
ReplyRetweetLike
Frederike Neuber17 March
Now from , future fellow in Boras, talking about copyright issues.
ReplyRetweetLike
Frederike Neuber17 March
Great discussions, funny moments & unexpected confessions - yesterday at our poster ( and mine) at
ReplyRetweetLike
Patricia O Connor17 March
mentioned in 's discussion of the digital scholarly edition's toolbox
ReplyRetweetLike
Elli Bleeker17 March
Experimentation with new technologies is tempting, but normalisation leads to more stability and sustainability
ReplyRetweetLike
Arianna Ciula17 March
. on sustanaibility challenges of data layer vs. functionality layer of digital editions
ReplyRetweetLike
Rosanna Cantavella17 March
Alexander Czmiel, in another twilight photo, at
ReplyRetweetLike
Frederike Neuber17 March
Now member of on Sustainable publishing of DSE
ReplyRetweetLike
Torsten Schaßan17 March
ReplyRetweetLike
Andreas Mertgens17 March
"Dig.Editions should be open, usable, used and useful."
ReplyRetweetLike
Patricia O Connor17 March
ReplyRetweetLike
Patricia O Connor17 March
Coming to a near you advocates an open-ended deep access model
ReplyRetweetLike
Rosanna Cantavella17 March
May the Source Be with You!, recommends Sichani talking of Open Access and Open Source content.
ReplyRetweetLike
Patrick Sahle17 March
my like of the day: "we deserve more than a read-only world" from
ReplyRetweetLike
Patricia O Connor17 March
referring to 's data on Digital Editions and
ReplyRetweetLike
Elli Bleeker17 March
. looks at the openness of DSE's based on data of the catalogue of
ReplyRetweetLike
Frederike Neuber17 March
A shout-out by to the catalogue of DSEs by
ReplyRetweetLike
Patricia O Connor17 March
Anna-Maria Sinchani: The value of is its ability to render information available for reuse
ReplyRetweetLike
Elli Bleeker17 March
Up now on how "openess" and reuse adds to the value of DSE. Taking Open Access to the next level
ReplyRetweetLike
Rosanna Cantavella17 March
Anna-Maria Sichani now,talking about Open Access at (in a twilight room).
ReplyRetweetLike
Frederike Neuber17 March
Now fellow from on "beyond open access"
ReplyRetweetLike
Elli Bleeker17 March
"First understand, then model" says . Scholars need to teach the principles of their critical thinking to the computer
ReplyRetweetLike
Patricia O Connor17 March
Michael Pidd: Training computer algorithms to trace the emergence of concepts and their lexical patterns
ReplyRetweetLike
CCeH17 March
explains "where digitisation ends and digital humanities begins"
ReplyRetweetLike
Rosanna Cantavella17 March
ReplyRetweetLike
Helene Hahn17 March
Had so much fun and great conversation at . Thanks to the eHumanities network & the university Cologne for the invitation!
ReplyRetweetLike
Tessa17 March
Wouldn't a membership model be basically a paywall? I gotta be honest I'm having my problems with all of this
ReplyRetweetLike
Patricia O Connor17 March
Enjoying a sneak peek of digitised material behind the pay wall courtesy of
ReplyRetweetLike
Arianna Ciula17 March
. on Devonshire MS social edition: technology allows for social editing but practices/habits/perceptions might not...
ReplyRetweetLike
Patricia O Connor17 March
highlighting the lack of access to reliable technology for analysing sources
ReplyRetweetLike
Arianna Ciula17 March
. presenting the social edition ; honoured to have contributed to it myself. Amazing MS
ReplyRetweetLike
Andreas Mertgens17 March
ReplyRetweetLike
Clara Martinez17 March
Presenting EVI, a Virtual Research Enviroment for Spanish-speakers scholarly digital editors in
ReplyRetweetLike
Rosanna Cantavella16 March
ReplyRetweetLike
Hilde Bøe16 March
Helene Hahn on OpenGLAM. I can sign on this one!
ReplyRetweetLike
Andreas Mertgens16 March
just got very surreal
ReplyRetweetLike
Helene Hahn16 March
I will talk about and how cultural institutions can engage with communities. 7.30pm at Kolumba Museum, Köln.
ReplyRetweetLike
Patricia O Connor16 March
Some very interesting digital projects being discussed in a timely manner !
ReplyRetweetLike
Patricia O Connor16 March
Experiencing my first session Well done to all the participants!
ReplyRetweetLike
Thomas Kollatz16 March
newspaper project with multiple modes of access: issue article full-text rubrics, date … by
ReplyRetweetLike
Patricia O Connor16 March
Dinara Gagarina talking us through the contents of the digital resource on early C20 Russia
ReplyRetweetLike
Patricia O Connor16 March
breaking down the data management between the institution and digital researcher
ReplyRetweetLike
Rosanna Cantavella16 March
Dinara Gagarina now, on digital editions of Russian provincial preiodicals.
ReplyRetweetLike
Thomas Kollatz16 March
on Wolfenbütteler Digitale Bibliothek at
ReplyRetweetLike
Patricia O Connor16 March
Libraries are publishers too! The role of the library in the creation of digital editions
ReplyRetweetLike
Hilde Bøe16 March
Torsten Schassan on revision and versions in digital editions
ReplyRetweetLike
Rosanna Cantavella16 March
Torsten Schassan now, with a very useful view at the essentials.
ReplyRetweetLike
Frederike Neuber16 March
What is an edition? Everything that claims to be one. of at
ReplyRetweetLike
Elli Bleeker16 March
"Every edition comes with its own ideas about how to present itself to the world" on how libraries can host editions
ReplyRetweetLike
Rosanna Cantavella16 March
Hilde Boe, first afternoon speaker today .
ReplyRetweetLike
Patricia O Connor16 March
Hilde Bøe discussing the challenges in reading and transcribing Edvard Munch's texts.
ReplyRetweetLike
Arianna Ciula16 March
. mentions as initiative around thinking globally and acting locally in DH
ReplyRetweetLike
Elli Bleeker16 March
DiXiT "PhD person" mentions social value of DSE and the possible uses of for sentiment analysis
ReplyRetweetLike
Patricia O Connor16 March
Aodhán Kelly giving a shout out to the transcription project #1916
ReplyRetweetLike
Andreas Wagner16 March
. on valorisation: does the availability of a dig resource change the life (opport.) of users? Convincing examples.
ReplyRetweetLike
Frederike Neuber16 March
ReplyRetweetLike
Frederike Neuber16 March
Now our Irish fellow based at about valorisation and diverse audiences.
ReplyRetweetLike
Patricia O Connor16 March
Stinson introducing to , an engine for C18 printed books.
ReplyRetweetLike
Tiziana Mancinelli16 March
Resources for production and dissemination of SDE. An example: "SIRO. Studies in Radicalism Online
ReplyRetweetLike
Patricia O Connor16 March
Timothy Stinson explaining the catalog visualisation
ReplyRetweetLike
Daniel Powell16 March
Happy to hear Tim Stinson discussing @ here in Cologne!
ReplyRetweetLike
Rosanna Cantavella16 March
Timothy L. Stinson, at
ReplyRetweetLike
Rosanna Cantavella16 March
Timothy L. Stinson, at
ReplyRetweetLike
Wout Dillen16 March
Now at , the session on building communities, which includes a paper on Digital Editions in Society by !
ReplyRetweetLike
Rosanna Cantavella16 March
Materials from SunoikisisDC are accessible to the public in these platforms.
ReplyRetweetLike
Arianna Ciula16 March
. introducing Very interesting model of collaborative teaching involving also
ReplyRetweetLike
Rosanna Cantavella16 March
Monica Berti, after the morning break at
ReplyRetweetLike
Patricia O Connor16 March
Monica Berti emphaising the importance of including different areas of expertise in the editing process
ReplyRetweetLike
Rosanna Cantavella16 March
Alice Borgna and Maurizio Lana, in dialogue with the attendants at .
ReplyRetweetLike
Rosanna Cantavella16 March
Maurizio Lana, second speaker, with Alice Borgna, at today's
ReplyRetweetLike
Arianna Ciula16 March
Speer's dichotomy history of philosophy (producing editions) vs philosophy tout court reminds me of McGann philology vs philosophy
ReplyRetweetLike
Arianna Ciula16 March
Andreas Speer on scientific textual corpora as example of smart data problem (semantic and qualitative complexity)
ReplyRetweetLike
Elli Bleeker16 March
"We should stop blaming Lachmann" The model of print editions is useful when developing DSE of large scientific text corpora, ASpeer
ReplyRetweetLike
Arianna Ciula16 March
Andreas Speer on printed edition as benchmark rather than side-product
ReplyRetweetLike
Rosanna Cantavella16 March
I'm very happy to be in Köln for . Ready to learn a lot from all the speakers. Fist Andreas Speer: issues vital for any philologist.
ReplyRetweetLike
Arianna Ciula16 March
Andreas Speer on study of peciae (petia-system) as clue to transmission history (eg. Aristotle edited by Guillelmi de Moerbeke)
ReplyRetweetLike
Andreas Wagner16 March
Speer: Philosophical interests lead to complex (multilingual, diachronic, huge) corpora, not focused on philology.
ReplyRetweetLike
Rosanna Cantavella16 March
Andreas Speer, first to talk today in the morning session.
ReplyRetweetLike
Arianna Ciula16 March
Andreas Speer on scientific texts (philosophy, theology, hist of science) seeking stability rather than fluid literary criticism
ReplyRetweetLike
James Cummings15 March
At mentions getting wifi & connections for those not as privileged - not just a comment on her eduroam failing during talk!
ReplyRetweetLike
Arianna Ciula15 March
I guess it is if we agree that in literary studies at least data include narrative?
ReplyRetweetLike
Thomas Kollatz15 March
inspired by at reread Platon, Ion 533a-535a furor poeticus cp 5 on writing as techne and dangerous
ReplyRetweetLike
Arianna Ciula15 March
and what about professionals of the multimodal? theatre, dance, film industry etc.
ReplyRetweetLike
Elli Bleeker15 March
"There is need for (know how) of publishers in the development of multimodal literacies" on collaboration w/ publishers
ReplyRetweetLike
Daniel Powell15 March
Is Notes & Queries (in literary studies at least) a type of equivalent to this?
ReplyRetweetLike
Arianna Ciula15 March
. on experimenting with publishing small data sets - an alternative to narrative articles?
ReplyRetweetLike
Elli Bleeker15 March
The invention of penicillin could not have been published today: it doesn't fit the publishing model. Solution is sciencematters.io?
ReplyRetweetLike
Tiziana Mancinelli15 March
The eTalks. A new digital multimedia editing plaform -
ReplyRetweetLike
jhermes15 March
citing "In the Beginning was the Command Line"
ReplyRetweetLike
Arianna Ciula15 March
. on writing as techne (for Plato at the same time science, art and craft) and how we need to re-conciliate with techne
ReplyRetweetLike
Tessa15 March
"writing is a technology" keynote
ReplyRetweetLike
jhermes15 March
ReplyRetweetLike
Arianna Ciula15 March
.: from the use of word 'literacy' to 'literacies' in ancient studies and how this switch pushed her interest towards DH
ReplyRetweetLike
Thomas Kollatz15 March
on the late Roland Barthes, for whom the image has always the last word
ReplyRetweetLike
Arianna Ciula15 March
. on Roland Barthes as precursor of multimodal (digital) literacies
ReplyRetweetLike
Wout Dillen15 March
ReplyRetweetLike
maurizio lana15 March
speaking on «multimodal literacies and continuous data publishing: une question de rythme»
ReplyRetweetLike
James Cummings15 March
Opening keynote starts by quoting fellows including
ReplyRetweetLike
Elli Bleeker15 March
Keynote starts with a shoutout to the panel of and GBarabucci
ReplyRetweetLike
James Cummings15 March
At about to hear the keynote from . Sadly, can't stay for the conference, gone tomorrow.
ReplyRetweetLike
Frederike Neuber15 March
Opening of thx to the core team for the organization GBarabucci et al.
ReplyRetweetLike
jhermes15 March
ReplyRetweetLike
Tessa15 March
(late pic2) FVitali w/ the brilliant subtitle "criticizing the manicure of the wise man pointing @ the moon"
ReplyRetweetLike
jhermes15 March
Wo muss ich gleich hin zur Keynote, ?
ReplyRetweetLike
Tessa15 March
(belated pic) MThaller w/ medieval example: "Though I'm relatively old I do not claim to have fought there"
ReplyRetweetLike
Helene Hahn15 March
Köln. here we go.
ReplyRetweetLike
James Cummings15 March
There are times I really think I should write up into something more serious than the rant it is.
ReplyRetweetLike
Patricia O Connor15 March
The debate on interpretation continues to gain force : "Shared subjectivity does not create objectivity"
ReplyRetweetLike
Patricia O Connor15 March
The non-linear structure of manuscripts stimulating a very interesting discussion in this workshop!
ReplyRetweetLike
James Cummings15 March
they build an interface on top of it, so who cares if it is XML or not? It isn't XML that is the problem, it is interfaces
ReplyRetweetLike
Patricia O Connor15 March
Fabio Vitali: "The mind of the scholar needs to be harmonised with data formats before they can effectively use them"
ReplyRetweetLike
Thomas Kollatz15 March
ReplyRetweetLike
Tessa15 March
"you must know how to use the hammer, not how to build the hammer"
ReplyRetweetLike
maurizio lana15 March
digital scholarly edition is about visual interface; interactive content too; tools that model scholarly and user processes
ReplyRetweetLike
Tessa15 March
XML-free editing... except it's not? Not completely? I'll admit I can't wrap my head around this. Need to pay better attention
ReplyRetweetLike
Patricia O Connor15 March
Desmond Schmidt demonstrating the online critical archive
ReplyRetweetLike
carol chiodo15 March
Lots of interesting tweets coming out of and today !
ReplyRetweetLike
maurizio lana15 March
demo of xml-free from that is «charles harpur critical archive». he shows various views and tools
ReplyRetweetLike
James Cummings15 March
Strawman problem with XML (standoff=hard) so choose $otherFormat but put an interface over it; could do with xml!
ReplyRetweetLike
James Cummings15 March
That is only particular uses of XML, there is plenty of XML which does work in multi-dimensional spaces
ReplyRetweetLike
maurizio lana15 March
now into the «xml-free» part of the talk but it’s all in graphical form and - dare say - not so evident/clear. demo coming
ReplyRetweetLike
Patricia O Connor15 March
Desmond Schmidt assumes that the text is linear and doesn't take its multi-dimensional nature into account
ReplyRetweetLike
maurizio lana15 March
to allow for text reuse and to ensure interoperability the markup must be taken out of the text
ReplyRetweetLike
maurizio lana15 March
schmidt OHCO is not a structure for the text, rather a possible model of its expression (buzzetti 2002)
ReplyRetweetLike
maurizio lana15 March
schmidt p. robinson author of 20% of TEI guidelines "because of angle brackets a digital edition is more difficult than 20 years ago
ReplyRetweetLike
Anna-Maria Sichani15 March
"Future Publishing models for digital scholarly editions" workshop in action
ReplyRetweetLike
maurizio lana15 March
different encoders on different days will encode the same features differently (durusau 2006) even if trained on a small set of tags
ReplyRetweetLike
Patricia O Connor15 March
And now for something completely different...Desmond Schmidt discussing the XML-Free
ReplyRetweetLike
maurizio lana15 March
dixit2 schmidt interchange is often mistaken for interoperability
ReplyRetweetLike
maurizio lana15 March
schmidt XML is not interoperable =allowing to be loaded unmodified and fully utiized in several applications.TEI states it
ReplyRetweetLike
Tessa15 March
I've been taking photos but the wi-fi on my phone is shaky so I'll hand them in later
ReplyRetweetLike
maurizio lana15 March
starting his talk about xml-free digital editions
ReplyRetweetLike
Tara15 March
Well indeed, as they aren't generally sufficient for tenure anymore!
ReplyRetweetLike
Thomas Kollatz15 March
Fabio Vitale on formats for Overlapping "Most look like XML on steroids“
ReplyRetweetLike
Tessa15 March
"If you go outside the XML community and talk about overlapping problems, you'll get blank stares" -Fabio Vitali
ReplyRetweetLike
Wout Dillen15 March
Vitali: problem of overlap in XML is a disease of affluence: it's only a problem if you want to do too many things with one document
ReplyRetweetLike
Tessa15 March
"If you have an information-rich data structure, creating an information-poor data structure becomes very easy" -Fabio Vitali
ReplyRetweetLike
Wout Dillen15 March
The slide Fabio Vitali is the most proud of: the pyramid of sense-making.
ReplyRetweetLike
Patricia O Connor15 March
Fabio Vitali using RDF as a Data Structure example to represent text digitally.
ReplyRetweetLike
Frederike Neuber15 March
"I can say things about things about things about things about things about things..." no tongue twister but FVitali decribing RDF.
ReplyRetweetLike
Luise Borek15 March
Following (Tweet Wall: ) and for the next few days!
ReplyRetweetLike
maurizio lana15 March
thaller digital editions are dynamic resources which other digital systems can refer to, nodes of a network of historical statements
ReplyRetweetLike
maurizio lana15 March
thaller keeping the uncertainty of the textual tradition alive in the analysis of derived information
ReplyRetweetLike
Frederike Neuber15 March
Now Fabio Vitali, announced as "one of the most human-friendly computer scientists"
ReplyRetweetLike
Frederike Neuber15 March
MThaller: "Critical Editions should be good for something, besides giving the editor tenure"
ReplyRetweetLike
Martin Sievers15 March
Is there a (free to use) parking lot near the University building?
ReplyRetweetLike
Patricia O Connor15 March
A touch of medieval in the Editing Beyond XML workshop
ReplyRetweetLike
Thomas Kollatz15 March
I. Normann’s talk on „digital edition as webservice“ mentioned by Thaller
ReplyRetweetLike
Patricia O Connor15 March
Manfred Thaller "A digital edition is not a book you read on the street, but it should be a service"
ReplyRetweetLike
Frederike Neuber15 March
It's happening. Being in a lecture by MThaller for the first time.
ReplyRetweetLike
Frederike Neuber15 March
"Most of the projects under the big DH tent use technologies which are 40 years old"
ReplyRetweetLike
Frederike Neuber15 March
"DH is a big tent - maybe it has become also too big."
ReplyRetweetLike
Tessa15 March
"The big tent has grown big, maybe too big"
ReplyRetweetLike
Wout Dillen15 March
Fabio Ciotti:TEI is ready to spread its wings, beyond XML. But fly where?
ReplyRetweetLike
Thomas Kollatz15 March
reminds us that „Coding … is not the same as interpreting“ =Fortier: TEI …A Critique (1990)
ReplyRetweetLike
Frederike Neuber15 March
Digital Editing beyond XML - Workshop with FVitali and MThaller
ReplyRetweetLike
DiXiT15 March
If you want to follow the conference/hashtag, take a look at the tweet wall we put up on the website: :)
ReplyRetweetLike
Manuscript Genetics15 March
kicks off today. Don't forget to follow the #! Our colleagues and will be presenting on Wed. & Thu.
ReplyRetweetLike
Wout Dillen15 March
Excited about ! Workshops today, opening keynote and brewery visit this evening. And the program looks great!
ReplyRetweetLike
Irmi Bl15 March
Unsere digitalen Geisteswissenschaftler halten ihre Konferenz in Köln ab. Viel Erfolg und Grüße aus dem RRZK
ReplyRetweetLike
Patrick Honecker15 March
Jetzt an der : Die Konferenz "Digitale Editionen" "
ReplyRetweetLike
Ben W. Brumfield14 March
Just arrived in Cologne, and am exploring with the family before starts tomorrow evening.
ReplyRetweetLike
CCeH14 March
Alles ist vorbereitet für die Konferenz "Digitale Editionen" an der Universität zu Köln
ReplyRetweetLike
Frederike Neuber14 March
Cologne.. Where also the trams wear colours!
ReplyRetweetLike
I-D-E12 March
ReplyRetweetLike
DiXiT11 March
Everything’s prepped for next week – late registration still possible btw. Location/travel/programme info:
ReplyRetweetLike
prometheus e.V.11 March
"Academia, Cultural Heritage, Society", 14–18 March 2016 - Programme:
ReplyRetweetLike
Tessa25 February
So I designed the poster & didn't put my name on it. Was just told I should've. Oh well ¯\_(ツ)_/¯
ReplyRetweetLike
DiXiT25 February
Register for conf asap or miss out on sword fights ;) +check out our nifty poster!
ReplyRetweetLike
Ben W. Brumfield23 February
Same here. High prob I'll be at SXSWi, DiXiT2, MEDEA 2, IIIF, TCDL, TxDHC, DH2016 and ADE between now and August. How about you?
ReplyRetweetLike
DiXiT22 February
Registration closing soon for convention Digital Editions: Academia, Cultural Heritage, Society:
ReplyRetweetLike
DiXiT22 February
Travel bursaries still available for Convention in Cologne, 15-18 March
ReplyRetweetLike
DiXiT30 January
A most unfortunate clash of conferences & - Meet you all in Coloslo!
ReplyRetweetLike
CCeH29 January
Check out our fantastic programme: . Registration now open!
ReplyRetweetLike
Frederike Neuber3 December
Yippieh-poster proposal w/ "Explorer, Trader, Conqueror? On the Role of the Digital Editor" accepted for convention
ReplyRetweetLike